José Mário Branco

Movie - 1976, 2h 15m • as Narrator (voice)

The history of Portugal since the Republican revolution of 1910 to the revolutionary period following the military coup of April 24, 1974, recounted with a marxist perspective, using historic sound and film documents. The title refers to a trilogy of values proclaimed by Salazar, prime minister of Portugal in 1936.

Movie - 2014, 2h 15m • Main Cast Role

Documentary about the Portuguese singer Camané and the process of creating one of fado's key works, revealing a rigorous search that allows him to achieve masterful interpretations.

Movie - 1981, 2h 15m • as Narrator (voice)

Using film and television footage taken during the revolutionary movement of April 25, 1974 in Portugal, and mixing it with music and live interviews with common people, the director conveys a vivid account of the period in which a military coup evolved to a socialist revolution, then was tempered into a formal European style democracy.

Movie - 2014, 2h 15m • as Himself

A documentary about the life and work of musician, composer, poet, actor, activist, columnist, and music producer José Mário Branco, a multitalented man who has been using his songs to transform the country and whose lyrics make as much sense today as they did 40 years ago. The shooting began in 2005 and covered seven years of rehearsals, recordings, talks and concerts, both in Portugal and France. In this film, José Mário Branco talks about music, his convictions, his generation, the dictatorship, the colonial war and his imprisonment and exile. It is the portrait of a man for whom “the song [was always] a weapon.”

Drama Series - 1991, 16 episodes • as Professor

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Drama Series - 1990, 16 episodes • as Self

An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 1997, 2h 15m • as Self

Traveling by the experience and by the roots of one of the strongest manifestations of Portuguese popular culture – singing polyphonic Alentejo. Evoking Michel Giacometti, the film questions the origins of the “sing” in the context of Mediterranean culture.

Movie - 1985, 2h 15m • as Mário

Director Jorge Silva Melo has developed a viable, though highly intellectual mystery story about the world of art and culture and murder in this somewhat theatrical presentation. When German artist Bernd Hoffmann (Michael König) arrives in Lisbon to oversee the installation of his paintings in a joint exhibition with another Berlin artist, Hanna Brauer (Charlotte Schwab), Hanna never shows up. Hoffmann is puzzled because he is certain he saw a video sequence with Hanna at the exhibition, and he begins to look for her. Another Lisbon cultural center, a theater, is also having problems that may or may not be related -- and the mystery deepens when Hanna is found dead, either by her own hand, or murdered.

Movie - 1982, 2h 15m • Main Cast Role

A bewitching combinatory adaptation of the Bluebeard tale and a 15th century Portuguese fable of a damsel who disguises herself as a knight errant.

Movie - 2010, 2h 15m • as Rosa 3

Manuel bids farewell to his routine and boards a 15th century vessel under pirate law. Treason on board triggers a series of terrible events our protagonist overcomes while keeping his moral principles intact.

Movie - 1992, 2h 15m • as Mouzinho

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

Movie - 1990, 2h 15m • as Alberto

Freely based on Gide ('Paludes') and Hawthorne ('Wakefield'), this is a film about a writer who never wrote anything and who blows at nightfall the breath of frost. The poem by Carlos Queiroz to which the above sentences belong is not cited in 'O som da Terra a Tremer', but the atmosphere is that, between written letters never received. Fiction within fiction, stories within stories, like those Chinese boxes in which there is always one inside another. Or the two margins of the same river, always being lateral.

Movie - 1999, 2h 15m • as Blindman

Carolina, an aging local grande dame who works at a crossing point on the titular river, marries another late-in-life character, the dredging-boat operator Antonio. Not long after their union, she becomes intensely jealous of Antonio's fondness for their winsome goddaughter, Joana, and insinuates herself into a relationship brewing between Joana and a mystical gypsy gold salesman. Soon, tempers are flaring, mystical secrets are being revealed and death is hovering over the central characters.

Movie - 1988, 2h 15m • as Singer in Arrábida

Summer of 1964. The professor Carlos and the couple Dário and Alda spend time together in the beach during vacations. Away from the colonial war, everything seems lost in time.

Movie - 1993, 2h 15m • as Husband in Restaurant

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.