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Carlos Serrano de Osma

Carlos Serrano de Osma

Directing
1916-01-16
Madrid, Madrid, Spain

Biography

Carlos Serrano de Osma (Madrid, January 16, 1916-Alicante, July 26, 1984) was a Spanish film and television critic, director and screenwriter. A film critic in Spain in the 1930s, he ventured into directing in the midst of the Spanish post-war period, 1947, with three films that represented a break with the Spanish cinema of the time: Abel Sánchez, based on the novel by Miguel de Unamuno, with novel forms in both narrative and framing; La sirena negra, based on the novel of the same name by the writer Emilia Pardo Bazán and considered by some critics his best work, and, in 1948, Embrujo, with his own script and the presence on stage of Manolo Caracol and Lola Flores, with a clear surrealist content that was definitely "a challenge to the mentality of producers and censors", even for the public, and whose value was not recognized until it was awarded thirty-four years later, at the Seville Film Festival in 1982. Serrano de Osma continued directing films until the 1960s, -La rosa roja was his last film-, but he gave up, as he said, "because I couldn't find any stimulus for it and I became discouraged". He continued in the world of cinema as a scriptwriter, with incursions also in television; he was a professor at the Film School in Madrid and also in Rome.

Known For & Full Filmography2 Titles

#1Abel Sánchez

Movie - 1947, 2h 15m • Main Cast Role

10.0 / 10
Drama

Joaquin Monegro feels a huge hatred for Abel Sánchez, who was once his best friend. Over the years, Monegro marries without love, and tries to have his children marry, but not forgetting Abel so far.

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#2Bajo el signo de las sombras

Movie - 1984, 2h 15m • as Self - Filmmaker

6.0 / 10
Documentary

A portrait of the Spanish director Lorenzo Llobet GrĂ cia (1911-76), one of the outsiders of Spanish cinema, and the story of his masterpiece, a cult work that tells the story of a self-taught filmmaker who was born under the sign of the shadows, lights and chiaroscuro of cinema.

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