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Dénes Gulyás

Acting

Known For & Full Filmography3 Titles

#1Ban Bánk

Movie - 2003, 2h 15m as Ottó

6.6 / 10

1213 Queen Gertrude of Meran's compatriots are playing the dorba in the royal castle. The unpeaceful Hungarian nobles are watching the dárido, and under the leadership of King Petur they are plotting. Their anger is only increased by the fact that while the king's viceroy, Bánk bán, who is fighting in the distance, is roaming the country, his wife, the beautiful Melinda, who has been left at court, is being besieged more and more openly by the queen's lecherous brother Otto. Petur secretly recalls Bánko, who, however, accuses the unpeaceful of treason. But Otto's confidant, the knight Biberach, tells Banach that the prince is trying to seduce Melinda. Otto, encouraged by the Queen, prepares to make a decisive attack. He pursues his lover Melinda in the castle's cloisters and chapel, and she rejects him contemptuously, but is nevertheless in a misunderstood position. Bánk, who has just seen them, is shocked: it seems that his adoring spouse is indeed unfaithful...

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#2Johanna

Movie - 2005, 2h 15m as The Professor

4.7 / 10
Drama

Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering her body. The head doctor is frustrated by her continued rejection of him and allies himself with the outraged hospital authorities. They wage war against her but the grateful patients join forces to protect her. This is a filmic and musical interpretation of the Passion of Joan of Arc.

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#3The Music of Life

Movie - 1984, 2h 15m Main Cast Role

4.0 / 10
DramaMusic

The Soviet-Hungarian film version of the biography of one of the most talented composers of our time, the classic of the Vienna operetta - Imre Kálmán, known for all his music for operettas "The Csárdás Princess", "Countess Maritza", "The Circus Princess", "The Violet of Montmartre", "Die Bajadere" and many others. The music of Imre Kálmán has no equal in operetta for its festivity, “elegance”, and the refinement of melodics and orchestration.

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