Santiago Álvarez
Biography
Santiago Álvarez Román (March 8, 1919 – May 20, 1998) was a Cuban documentary filmmaker and a central figure in revolutionary Latin American cinema. After studying in the United States, he returned to Cuba in the mid-1940s, where he worked as a music archivist for television and became active in Communist Party circles. Following the Cuban Revolution, he was a founding member of the Cuban Institute of Cinematographic Art and Industry (ICAIC) and went on to direct its influential weekly Latin American Newsreel, shaping a new model of politically engaged documentary production. Álvarez became internationally known for short films that combined found footage, photographs, animation, and music through rapid, associative editing—often described as “nervous montage.” His best-known works include Now! (1964), addressing racial discrimination in the United States; LBJ (1968), a satirical critique of U.S. imperialism; and 79 Springs (1969), a poetic tribute to Ho Chi Minh. In 1968, he collaborated with Fernando Solanas and Octavio Getino on The Hour of the Furnaces, a landmark four-hour documentary on neocolonialism and political struggle in Latin America. Across dozens of films, Álvarez documented music, culture, revolutionary movements, and authoritarian regimes throughout the Americas and beyond. His work influenced generations of political filmmakers, and he was later acknowledged by Jean-Luc Godard in Histoire(s) du cinéma. Álvarez died in Havana in 1998 from Parkinson’s disease and was buried in Colón Cemetery.
Known For & Full Filmography7 Titles
Movie - 1984, 2h 15m • as Self
Documentary in four parts on Latin American cinema. Fourth episode: in Cuba, the ICAIC, created in the aftermath of the Castro revolution, is at once a film school, a production company and a state cultural branch. Cuban filmmakers testify to the situation and themes specific to their national cinema.
Movie - 1984, 2h 15m • as Horacio
A famous composer creative in crisis and must compose a new album, but is going through a painful separation that prevents him from concentrating. In this situation, your manager will provide a time extension
Movie - 2010, 2h 15m • as Self (archive footage)
Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the "world memory" by UNESCO.
Movie - 2013, 2h 15m • as Santiago Alvarez
A tribute to Santiago Álvarez, a great innovator in the language of Cuban newsreel images, presented by the ICAIC over the course of thirty years. This unique figure in Latin American cinema is reconstructed. Told as a game of Chinese boxes (documentaries within documentaries, authors within authors, images within images), Álvarez's obsession is revealed to be identical to that of his disciples: to confront the reality of Cuba with other realities, staging aesthetic operations that are nevertheless political operations, always in favor of the Revolution.
Movie - 2002, 2h 15m • as Self (voice)
Documentary about the relationship between filmmaker Glauber Rocha and Cuba.
Movie - 1937, 2h 15m • Main Cast Role
Political propaganda film made during the Spanish Civil War.
Movie - 1999, 2h 15m • as Himself
A portrait of the great radical Cuban film maker Santiago Alvarez.