Tim Kingsbury
Known For & Full Filmography17 Titles

Drama Series - 2014, 16 episodes • as Self
After Jay Leno's second retirement from the program, Jimmy Fallon stepped in as his permanent replacement. After 42 years in Los Angeles the program was brought back to New York.

Drama Series - 1975, 16 episodes • as Self - Musical Guest
A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

Drama Series - 2007, 16 episodes • as Self
Each week celebrity guests join Irish comedian Graham Norton to discuss what's being going on around the world that week. The guests poke fun and share their opinions on the main news stories. Graham is often joined by a band or artist to play the show out.

Movie - 2014, 2h 15m • as Self
The making of Spike Jonze's "Her."

Movie - 2025, 2h 15m • as Self
Live from Radio City Music Hall, witness the concert of a lifetime with a star-studded lineup bringing together legendary Saturday Night Live hall-of-famers, iconic guests and surprise musical performances.

Movie - 2006, 2h 15m • as Self - Arcade Fire
Filmmaker Drew Thomas brings California's popular Coachella Valley Music and Arts Festival to the screen with a different kind of musical documentary that not only showcases performances by some of the hottest acts to take the stage, but offers interviews with such musical icons as Beck, Joshua Homme, Mos Def, and Perry Farrell as well. From English icon Morrissey's performance at the inaugural Coachella Festival back in 1999 to Canadian indie rockers the Arcade Fire's electric 2005 set, the musical acts featured here run the gamut from hip-hop to alternative and virtually everything in between. Other artists featured include the Pixies, the Flaming Lips, Kool Keith, Radiohead, Saul Williams, and Squarepusher.

Movie - 2013, 2h 15m • as Tim Kingsbury
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2011, 2h 15m • as Grocery store employee
A resident of a suburban dystopia tries to reassemble his fragmented memories of life as a teen.

Movie - 2021, 2h 15m • as Self
It’s time to Canuck n’ Roll as we celebrate Canada Day with a trip through the best of the BBC’s music archives, exploring some of that great nation’s finest music stars.

Movie - 2010, 2h 15m • as Himself
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2015, 2h 15m • as Self
Arcade Fire’s first feature film is called 'The Reflektor Tapes'. The project is “a unique cinematic experience, meeting at the crossroads of documentary, music, art and personal history.”

Movie - 2024, 2h 15m • as Self
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2016, 2h 15m • Main Cast Role
Arcade Fire performing at the 2016 Voodoo Festival in New Orleans. Setlist: 1. Ready to Start - 0:30 2. The Suburbs - 5:18 3. Sprawl II (Mountains Beyond Mountains) - 11:38 4. Reflektor - 17:24 5. Afterlife - 23:45 6. We Exist - 31:10 7. Normal Person - 36:50 8. Keep the Car Running - 42:05 9. Intervention - 46:30 10. My Body is a Cage - 51:30 11. We Used to Wait - 56:20 12. No Cars Go - 1:01:57 13. Haiti - 1:07:25 14. Snippet of New Song - 1:12:45 15. Neighborhood #1 (Tunnels) - 1:15:10 16. Neighborhood #3 (Power Out) - 1:20:10 17. Rebellion (Lies) - 1:26:45 18. Here Comes the Night Time - 1:32:40 19. Wake Up - 1:40:45

Movie - 2007, 2h 15m • as Himself
An outstanding performance featuring brilliant storytelling, high stakes drama, and unforgettable character arcs.

Movie - 2022, 2h 15m • as Self
Arcade Fire headline the 2022 AT&T Block Party

Movie - 2008, 2h 15m • as Himself
The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.
