Leo Braudy

Movie - 1981, 2h 15m • as Abortion Picketer

Blessed with a keen sense of smell and cursed with a philandering pornographer husband, a parasitic mother, and a pair of delinquent children, the long-suffering Francine Fishpaw turns to the bottle as her life falls apart -- until deliverance appears in the form of a hunk named Todd Tomorrow. Originally screened with "Odorama" scratch and sniff cards so the audience could (at their own risk) smell along with the film.

Movie - 2004, 2h 15m • as Self - Professor and Cultural Historian

From the earliest versions of the script to the blockbuster debuts, explore the creation of the Star Wars Trilogy.

Movie - 2008, 2h 15m • as Self

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

Movie - 1970, 2h 15m • as Vladimir

An underground revolutionary group struggles against internal strife to stage urban guerilla attacks against a fictionalized fascist regime in the United States. Interspersed throughout the narrative are rhetorical sequences that explain the philosophy of radical action and restrain the melodrama inherent in the thriller genre.

Movie - 2006, 2h 15m • as Self - Author of 'Great Film Directors'

A featurette documentary that looks into the making of "The Dirty Dozen," containing interviews with the main cast, film scholars, and production personnel.

Movie - 2017, 2h 15m • as Self

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?