Phil Solomon

Phil Solomon

Directing
1954-01-03
Manhattan, New York, USA

Biography

Phil Solomon was an internationally recognized filmmaker and educator who taught both film history/aesthetics and film production at University of Colorado Boulder from 1991 until his death in 2019. Solomon’s work has been screened in every major venue for experimental film throughout the U.S. and Europe, including 3 Cineprobes (one-man shows) at the Museum of Modern Art and two Whitney Biennials. His films have won 10 first prize awards at major international film festivals for experimental film (including six Juror’s Awards from the Black Maria Film and Video Festival). His films reside in the permanent collections of the Museum of Modern Art, Massachusetts College of Art, Binghamton University, Hampshire College, The Chicago Art Institute, San Francisco State University, the University of Wisconsin at Milwaukee, and the Oberhausen Film Collection. Solomon collaborated on three films with his colleague and friend, Stan Brakhage, who named Solomon’s Remains to be Seen on his Top Ten Films of All Time for Sight and Sound.

Known For & Full Filmography3 Titles

#1Cannibal! The Musical

Movie - 1996, 2h 15m as Miner (uncredited)

6.4 / 10
ComedyWesternThriller

Heading through Colorado Territory in search of gold and women, Alferd Packer and his group of bemused companions find themselves lost, starving and musically inspired by the obstacles they confront along the way, including a die-hard Confederate cyclops, a trio of surly trappers, a tribe of Japanese-speaking "Indians," and ultimately, each other.

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#2Brakhage

Movie - 1998, 2h 15m as Self

7.1 / 10
Documentary

BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.

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#3Stan Brakhage Exits the Cinema and Enters the Light of Day

Movie - 2002, 2h 15m as Himself

7.6 / 10
Documentary

A brief short of Phil Solomon and Stan Brakhage going to the movies in the spring of 2002.

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