Fernando Saunders

Drama Series - 1975, 16 episodes • as Self (uncredited)

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.

Movie - 1990, 2h 15m • as Bass

Filmed at St. Anne's Cathedral, Brooklyn in 1989

Movie - 1983, 2h 15m • as Self - Bass

A Lou Reed concert at the Bottom Line in New York City, 1983. Tracklist: Sweet Jane, I'm Waiting For The Man, Martial Law, Don't Talk To Me About Work, Women, Waves of Fear, Walk on the Wild Side, Turn Out the Lights, New Age, Kill Your Sons, Satellite of Love, White Light / White Heat, Rock And Roll.

Movie - 1992, 2h 15m • as Performer

Lou Reed was wise to chronicle a concert by his early-'80s band, featuring lead guitarist Robert Quine and bassist Fernando Saunders. Reed had used them on his trilogy of strong albums -- The Blue Mask, Legendary Hearts, and New Sensations -- released between 1982 and 1984. This 52-minute video, shot at the Capitol Theater in Passaic, NJ, in 1984, is a straightforward, no-frills live show. Reed, in black T-shirt and black leather pants, stands on-stage before a cityscape background and makes his way through a set that features both a selection of Velvet Underground songs, and his sole hit single, "Walk on the Wild Side," plus highlights from his three recent albums, notably such songs as "I Love You Suzanne." As such, the video makes a good Lou Reed career sampler.

Movie - 2005, 2h 15m • as Himself

Live at Montreux 2000 is a concert DVD by Lou Reed, released in 2005 by Eagle Vision. It was recorded at the 2000 Montreux Jazz Festival in Montreux, Switzerland. Reed performed eight songs from the Album Ecstasy plus a few older ones. Lou Reed is one of the most influential artists of the rock era. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class. Tracklisting: 1) Paranoia Key Of E 2) Turn To Me 3) Modern Dance 4) Ecstasy 5) Smalltown 6) Future Farmers Of America 7) Turning Around Time 8) Romeo Had Juliette 9) Riptide 10) Rock Minuet 11) Mystic Child 12) Tatters 13) Set The Twilight Reeling 14) Dirty Blvd 15) Dime Store Mystery 16) Perfect Day

Movie - 1984, 2h 15m • Main Cast Role

Lou Reed and band (featuring guitar legend, Robert Quine) filmed in concert at Palacio de Municipal, Barcelona, Spain on December 10, 1984 during the New Sensations Tour. Originally broadcast on La Edad de Oro.

Movie - 2007, 2h 15m • as Bass

The Bottom Line in New York City 1983 1. Sweet Jane / 4:07 2. I'm Waiting For The Man / 4:03 3. Martial Law / 3:40 4. Don't Talk To Me About Work / 2:15 5. Women / 4:16 6. Waves Of Fear / 3:19 7. Wild Side / 4:50 8. Turn Out The Lights / 3:00 9. New Age / 4:49 10. Kill Your Sons / 5:46 11. Satellite Of Love / 5:58 12. White Light / White Heat / 3:55 13. Rock 'n' Roll / 6:59

Movie - 2008, 2h 15m • as Bass / Vocals

Lou Reed — once the androgynous rock poet of the Velvet Underground, then a godfather of punk, now a weathered icon of courage and adventurousness in American music — in two astonishing live concerts, one from New York's fabled Bottom Line in 1983, one from the 2004 Benicassim Festival in Spain. With selections deftly mixed and matched for maximum effect, these two concerts allow us to time-travel between key phases of an amazing career, as Reed reinvents classic songs from his Velvets and early solo period and presents adventurous new work — always with the unmistakable droning, dissonance, and literary intelligence that are part and parcel of the Lou Reed approach to rock and roll, and to his adventures in post-classical minimalism and even free jazz, all key to his unique sensibility.