Antony I. Ginnane

Antony I. Ginnane

Production
1949-01-01
Melbourne, Victoria, Australia

Biography

Antony I. Ginnane has been involved in all aspects of the film industry for 30 years. During that time, as a film maker he has produced 54 feature films, MOWs and mini series: 20 as Producer and 34 as Executive Producer. His films have been shown all over the world and have achieved both critical acclaim and box office success.

Known For & Full Filmography3 Titles

#1Fantasm Comes Again

Movie - 1977, 2h 15m as Monk

4.7 / 10
Comedy

Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.

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#2Not Quite Hollywood

Movie - 2008, 2h 15m as Self

6.8 / 10
ComedyDocumentary

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

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#3Damaged: The Very British Obscenity of David Hamilton-Grant

Movie - 2023, 2h 15m as Self

6.5 / 10
Documentary

Explores the salacious career of mysterious British filmmaker and distributor David Hamilton-Grant, who was the only supplier to be sent to prison for releasing a "video nasty". Hamilton-Grant navigated loopholes in the law in the 70s in order to produce and screen smut in an extremely censorship restricted Britain. When the home video boom hit in the 80s he was one of the first to capitalize on the initially far less regulated format... but he would pay the price. Then things get really dark and strange.

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