Family Dick 24

Movie - 2025, 2h 15m

Following the death of their father, a brother and sister are sent to live with a foster mother, only to learn that she is hiding a terrifying secret.

Movie - 2025, 2h 15m

A couple’s romantic vacation at a secluded lakeside estate is upended when they are forced to share the mansion with a mysterious and attractive couple. In this darkly hilarious and seductive horror story, a dream getaway spirals into a nightmarish maze of sex, lies, and manipulation, bringing terrifying secrets to light and triggering a bloody battle for survival.

Movie - 2024, 2h 15m

A boy and his stepmother fear for their safety after an eerie creature resembling the boy's recently deceased father visits them.

Movie - 2023, 2h 15m

After it's discovered that a teacher at South Park Elementary has an OnlyFans page, Randy is compelled to take a closer look at the seedy underbelly of the world of online influencers.

Movie - 2023, 2h 15m

Sites like OnlyFans, Flirt4Free, and JustforFans have destabilized the traditional production, distribution, and monetization of X-rated entertainment. The potential and risk to make the big bucks, along with all the headaches of running a business, is now in the hands of porn stars and starry-eyed newcomers working from home. Performers have become their own studios, producing, shooting, and casting their own work - often from their homes. And just like a Netflix account - people pay to watch. Sure, porn is still popular but it’s a one-way experience and guys don’t want to pay for it. They want the opportunity to get to know somebody they’ve seen in a magazine, on TV, or on social media. Meet your roster of online boyfriends.

Movie - 2023, 2h 15m

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.